Pete Ashton's Notes & Links

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Stuff I’m thinking about.
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Notes and links from Mon 6 July

A silver sheet is being hung over a window on a brick house. It is suspended on one side by a blue strap. It has torn badly at the edge and is sadly hanging off. The photo is tightly cropped.

Status:

Mostly recovering and pottering today but did need to do some prep for the heatwave. I’d planned out how to hang the big silver shade over the front window with the minimum of effort (because effort is in scarce supply these days) and with Fiona’s help I got both screws into the brickwork with ease. Then we hung the sheet and I pulled it tight, only for it to tear where I’d put the eyelet in. Unfortunately, as it’s the skin of an indoor hydroponics tent, it’s not particularly tough material, so I’m going to have to try something else. I reckon I know what to do though. Will see if it works tomorrow.

Big Read:

TCJ interviews Evan Dorkin

If you know Evan Dorkin this is a lot of fun, tracing his career from the very early days (there’s the first Milk and Cheese sketch on a napkin!) to the imminent publication of Nerd Inferno, the 650 page doorstop collection of his life’s work.

Should you bother clicking if you don’t know Evan Dorkin? Um, I dunno! If you think this is a work of genius then dive in.

A comic strip titled Milk and Cheese featuring two characters, Milk and Cheese, going on a violent rampage while shouting “Merv Griffin!” in every panel.

There’s a bunch of things about the origin of the Eltingville strips that I didn’t know, leading to some cutting stuff about a comics industry made up of fans.

Terrible fans move into the industry. We get these people as professionals. […] The people that you’re not safe around in this industry, they came from fandom. From just being people who scream at interns at DC Comics, to acting like some of the ways Jim Shooter acted with older professionals and whatnot. To the way that people act on panels or in the offices. We are they and they are us. We all come from fandom. Almost nobody comes to this industry accidentally.

Dorkin is one of the more insightful of cartoonists with a strong moral compass about the culture and industry he’s found himself in, for better or worse.

Reading:

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