The rabbit lawn. The fenced off area at the front is growing and will be swapped with to the rear once it’s tall enough to eat.
More pottering today, though I appear to have accidentally gestated a couple of plans so I guess my brain is over the fatigue?
The first is to extend the water harvesting to the shed roof and pipe it to the existing rabbit-run roof system. This was always the plan but I was going to put this off til much later. Today I realised it would actually be quite simple and cheap, and that I have most of the bits, so am looking forward to getting that done next week.
The other plan is a potential collaboration with someone else, so I need to run it by them first and see if they’re even interested, but it might resolve a few stumbling blocks I’ve been having with writing and give me a project to focus on for the next year or so. I’d articulated it out loud to Fiona and it doesn’t seem totally stupid so fingers crossed they’re interested.
Hard parties, cheap rents and horrible flats: how 90s art and fashion redefined British culture
I try to avoid Miranda Sawyer’s skewed historicising of my 20s decade but this is a particularly egregious example and fuck it, I’ll bite. My memory, such as it is of that time, is of a load of interesting things going on that would occasionally get swooped upon by cool-hunters and ruined through over-exposure, so you had to keep digging deeper. This is not necessarily a bad thing, being pushed further into the weird to find something they couldn’t co-opt, but let’s not let those wankers write the record, please?
Of course she’s not talking about the whole of the 1990s. She’s talking about a very specific scene with very specific people whose experiences do not scale to the rest of us, so it’s clearly going to be very annoying to anyone who was producing ‘culture’ back then.
While I was stewing on this, and beginning to regret writing the above, I started thinking about my zine collection which, thanks to my putting it online for a brief period, got a tiny bit of attention. People think of zines as being cool, but the truth is most of them were not very good. They were produced by normal awkward people with limited means, most of whom hadn’t done this sort of thing before, and that’s what made them exciting and important to me. As a cultural movement they’re fascinating but as cultural items they tend to be underwhelming. Just like blogging, or digital photography, or anything that gave the means of production to the masses.
The great Scottish underground cartoonist John Miller, who is unlikely to suffer a retrospective at Tate Modern, had a line in his comics about his childhood: “the sixties never made it to Lanarkshire.” That’s not to say those years weren’t revolutionary and exciting on their own terms.
Yeah, I’m regretting writing this. What even is my point? Go read the John Miller stuff and make it worthwhile.
- Using the railway network as a flatbed scanner — Folks who’ve followed my lens-based art nonsense will know I’ve long had a passion for slit-scan photography (you may have suffered me trying to explain how slit-scan swaps the X axis of a photo with it’s motion through time, like if time is the fourth dimension and we’ve removed depth and width from that to produce a 2D image, and that this is really interesting, honest) so this was like catnip to me. It’s a proper nerdy deep-dive into calibrating the camera to produce good-enough images and by the end I had a bit of a headache, but it’s fantastic to see someone doing this work. via
- A Movie and Everywhere at Once — I got a lot out of these two short collage films, shared by John Coulthard, one from 1958 and the other 1985. They both seem to be attempts to deal with the enormity of footage produced in their respective eras, but go further, using music to draw out the comedy and horror of the juxtapositions.
- Jordan Crane in conversation with Gilbert and Jaime Hernandez
- MacOS 27 doesn’t look too shit? — I might even finally upgrade from 18, which I’m happy with but it’s getting a bit buggy. via
- Two upcoming books of note with lovely covers: Ed Yong’s Life Beyond Measure and Mike Parker’s Mid Land: A Journey into England’s Heart. (The latter asked me for a cover photo but went with a much better choice.)
- A wildlife allotment wins Gardeners' World magazines' best of the best award — I actually follow Nadine on Mastodon, so this was a nice surprise!
- Wonder Woman as painted by Picasso as drawn by Darryl Cunningham.